It's where I sometimes post the stories about my paintings.
A new challenge
Mixing (almost) every colour from three primary colours is quite possible, say my books and the youtube painters I follow. As I am still using the 16 colour tubes of paint that I got long ago in a gift box, I have never been thoroughly thinking of using a limited palette. During a recent painting session, my fellow amateur artists and I started a kind of challenge to try out a limited palette. I made a still life setting, and I chose the three-plus-two formula (Cadmium Red, Cadmium Yellow, Ultramarine as primary colours and Burnt Umber and Titanium White as a support) to bring it over on canvas. Well, though I did not really match every colour with the photograph, I am quite satisfied with the result. A fellow painter did the same and she produced really a good art work. So we proved that the use of a limited palette is actually almost unlimited. I think I will go on with this experiment.
Here you can see the photograph of the setting and the painting in progress. Lets call it Blue Jar, 25 x 25 cm. The finished painting is to see in My gallery.
A very special commission indeed When I posted this story in March I still did not quite believe this project could ever be realised. Today I am proud to tell and to show that the project was successfully completed, and that I was honoured to play a small part in it. But first things first. The most northern historical windmill in the Netherlands, called De Phenix, has been thoroughly restored and repurposed as a unique working both flour and oil mill with a large underground visiting area. Dozens of professionals and volunteers have been working hard for four years to make this happen. It became one of eight Amelander Musea . Being a volunteer, I was invited in February by the museum working group to collaborate in the design of the underground space of the mill. Beside the whole construction, I was particularly impressed by the very long concrete wall which I thought should stay just clear and unfurnished bearing only some decoration on it, possibly depicting a scenery traditi
Some flowers for my mother While visiting the well preserved estate and the house of Verwolde in the Achterhoek, among all those beautifully decorated eclectic interiors I somehow was touched by the view of a tiny room in the souterrain, probably a scullery. The day light gave the space lovely soft shadows and the setting was very natural in its simplicity. The nostalgic scene was thoroughly set by someone's artistic hands. It felt like the moment when the gardener had just left and their flower arrangements were just ready to be brought upstairs. So I took then some photographs and now I tried to paint this feeling in alla prima. I used the Mus panel and my limited palette of primary oil colours plus burnt umber and titanium white. I once made a painting of an lovely old scullery in Leeuwarden , called Downstairs. So, I will call this one the Downstairs 2. View the finished painting in my gallery . in progress
The summer art show proved to be successful Making a project low risk is always fun. No great expectations, no regrets when it's a failure. Safe. Still, there is always a tiny (or immense) hope of success. And this time success it was. I am very proud to involve the top artists Erwin Pattipeilohy and Peter Kiewied . I am happy with and grateful to all the visitors and the art collectors (10 art works were sold, and we've got some commissions as well). I am enormously thankful to everyone who helped promote our project! My very special appreciation goes to our patrons and friends of arts Eva and Riekus for providing that unique and beautiful space in their historic house. And above all, huge thanks and all my love to Paul, for believing, constant support and encouragement! Perhaps, we will repeat the show next year. You still can view some of the exhibitied works on our page . And check this video to get an impression.