Skip to main content

Snow in August?



Suddenly

Since we are not having a warm and dry summer this year, why not think of the proper winter then for a while? It was cold and white for almost a fortnight last February. And it was wonderful to watch the islanders having snow fun on their traditional horse-drawn sleighs. As well as the white rooftops of our village.

For a change, I decided to paint on cardboard this time, applying lots of layers of gesso first. Again, I used a limited palette; cadmium red, ultramarine, burnt umber and titanium white.

Thus it became "Hollum. Winter", acrylic, cardboard 30 x 25,5 cm. An image of the finished painting is to be found in my gallery.









UPDATE 1
February 2022. This painting is on show in a museum! 


UPDATE 2
November 2022. The painting is sold at the Kunstmaand Show



UPDATE 3
December 2022. Proud and happy to get this lovely mail from the art collectors from Friesland:

"It was love at first sight when we saw the small painting. After enjoying the Kunstmaand (our 15th!) for a few days we went back to Buren. Even more surprised we decided to purchase the winter view on Hollum. It now has a nice place in our house. We enjoy it!"


Exhibitions:
- Amelander Winters. Museum Sorgdrager. December 2021 to March 2022, Hollum
- Driedaagse Expo in Stalhuus. June 2022, Hollum
- Amelander Kunstenaars Art Show. November 2022, Buren

Sold in November 2022 during the show to private collector G.D. in Readtsjerk.

Comments

Popular posts from this blog

Master Studies

  Studying  I believe that practice is the best form of learning, and master copying is the most effective to practice while studying. Since we always (aspire to) learn, I find that copying a masterpiece that inspires you is an excellent method to achieve this.  In essence, master copying is not about creating perfect replicas; instead, it's about gaining a deeper understanding of artistic principles and techniques. It's a valuable tool for any artist seeking to improve their skills and expand their knowledge.  From time to time, I will update this post with my new master studies. Here are some: May 2025 After J.C. Leyendecker painting "Couple on Deck Chairs. 1904" I have been fascinated by the works and biography of this great Golden Age artist for a long time. Recently, I finally read a beautiful book titled simply, "J.C. Leyendecker", written by Laurence S. Cutler and Judy Goffman Cutler. His name and influence were most prolific; his private life was kep...

You'll Get Over It

  What could possibly happen? Something tragic, I assume. I am sure you can imagine dozens of situations where this setting could be possible. Regret, revelation, anger, shock, despair, compassion, support, consolation, reassurance, forgiveness, unbelief, doubt, fear... All of these might apply to the people in this painting. And all these are actually expressed with hands. And there will be nothing of these when you think those hands away, I'm afraid.   This is another small one in my series Hands' Private Life. I painted it all prima with my limited palette of Burnt sienna, Ultramarine blue, Yellow ochre, Cadmium red and Titanium white. As reference, I used the photographs Paul and myself took of me and my hands, in four different settings.    While thinking about how to name this piece, with my music on, the Legacy by PSB suddenly started to playback. The lyrics were so true, my mood was quite down, and the title was chosen. (And first I was thinking of calli...

Sunset

Summer Evening at Ameland Beach For quite some time, I had an idea to paint a female figure strolling with a dog on the beach during the golden hour. My inspiration was probably even more heightened during my last year's visit to the Skagens Museum , where I admired the seascapes by Peder Severin Krøyer and Michael Ancher in person. Well, all I needed was the right beach at the right time, along with some models. And counting my blessings, the southwest shore of our island, known for its glorious sunsets, is just around the corner. And I am especially grateful to our neighbour, Jennifer, and her graceful Weimaraner, Vito, for kindly agreeing to be my models. So we agreed to wait for a clear evening before heading out for a beach stroll. My models were doing a great job, and I could take plenty of photographs to use as references for my painting.  I had once created a small painting using a counterlight effect, and I liked the process. Now, I wanted to apply what I had learned to a...