Skip to main content

Playing with sea


A quick study and a painting

There is nothing funnier than chasing a tennis ball, according to our fetching hero Chester. You can often find us playing on the beach, where Chester can run as much and as hard as he can.

Still impressed by the wonderful seascapes made by Dennis Roberts, I decided to paint a little study on cardboard first, trying to catch the movements of the waves, the dog and myself. Not really succeed in making the shapes and figures have correct proportions first, but I think I conveyed it right later on canvas. I used a limited palette of primary colours plus burnt umber and titanium white.

So this became "Fetching", acrylic, canvas, 24x30 cm. View the finished painting in my gallery.





Location: Ameland, Nederland

Comments

Post a Comment

Thank you for your message. I will replay as soon as I can

Popular posts from this blog

Peaceful Fields, project completed

A very special commission indeed When I posted  this story in March   I still did not quite believe this project could ever be realised. Today I am  proud to tell and to show that the project was successfully completed and that I was honoured to play a small part in it.  But first things first. The most northern historical windmill in the Netherlands, called De Phenix, has been thoroughly restored and repurposed as a unique working both flour and oil mill with a large underground visiting area. Dozens of professionals and volunteers have been working hard for four years to make this happen. It became one of eight  Amelander Musea . Being a volunteer, I  was invited in February by the museum working group to collaborate in the design of the underground space of the mill. Besides the whole construction, I was particularly impressed by the very long concrete wall which I thought should stay just clear and unfurnished bearing only some decor...
Post a Comment
Read more

You'll Get Over It

  What could possibly happen? Something tragic, I assume. I am sure you can imagine dozens of situations where this setting could be possible. Regret, revelation, anger, shock, despair, compassion, support, consolation, reassurance, forgiveness, unbelief, doubt, fear... All of these might apply to the people in this painting. And all these are actually expressed with hands. And there will be nothing of these when you think those hands away, I'm afraid.   This is another small one in my series Hands' Private Life. I painted it all prima with my limited palette of Burnt sienna, Ultramarine blue, Yellow ochre, Cadmium red and Titanium white. As reference, I used the photographs Paul and myself took of me and my hands, in four different settings.    While thinking about how to name this piece, with my music on, the Legacy by PSB suddenly started to playback. The lyrics were so true, my mood was quite down, and the title was chosen. (And first I was thinking of calli...
Post a Comment
Read more

Matthew's POV

Challenging a masterpiece Since I've always wanted to learn more about chiaroscuro and tenebrism, I thought it would be useful to try and master-copy a (detail of a) tenebrist masterpiece. And what is my favourite painting by the great Master of Tenebrism? The Calling of Saint Matthew by Caravaggio, of course.  I can stare at this painting (or the photographs and videos of it) for hours, exploring and still discovering numerous aspects and details, often ending with more questions than answers. The one certainty is that the composition, colours and values, poses and gestures, and most of all, the light , that plays the leading role, are the work of mind of a true genius. I spent hours trying to find out about the nature and the position of those light sources (and there were surely more than one!), yet I still don't know exactly how Caravaggio designed that setting. For a long time, I hesitated, but one day I decided to try master-copying a detail of the painting. In any case,...
Post a Comment
Read more