Skip to main content

Choices

 

Looking for solutions

To make serious choices, sometimes we need to sit down and think. How do hands help a human in this case? Have you ever noticed that sometimes we hold our hands in a mirror-like fashion, with the fingertips of both hands pressed against each other? What is the reason behind this gesture? Does it have something to do with our inner energy circle, or is it just a way to connect the loose ends as precisely as possible? I have no idea.

Yet we immediately recognise this pose and gesture as a sign of doubt, pressure, burden, tension, stress, and struggle. Even without seeing the person's entire body or face, we can tell that they're going through a difficult time trying to make the right decisions.

May our decisions be wise.


This painting is another one in the Hands' Private Life series. 
Oil on panel 24 x 30 cm, alla prima, limited palette. Final varnish to be applied not before July 2024.       

View the finished painting in my gallery.
Sold by Saatchi Art in November 2023 to private collector R.D. in Napels, Florida USA

Comments

Post a Comment

Thank you for your message. I will replay as soon as I can

Popular posts from this blog

Master Studies

  Studying  I believe that practice is the best form of learning, and master copying is the most effective to practice while studying. Since we always (aspire to) learn, I find that copying a masterpiece that inspires you is an excellent method to achieve this.  In essence, master copying is not about creating perfect replicas; instead, it's about gaining a deeper understanding of artistic principles and techniques. It's a valuable tool for any artist seeking to improve their skills and expand their knowledge.  From time to time, I will update this post with my new master studies. Here are some: May 2025 After J.C. Leyendecker painting "Couple on Deck Chairs. 1904" I have been fascinated by the works and biography of this great Golden Age artist for a long time. Recently, I finally read a beautiful book titled simply, "J.C. Leyendecker", written by Laurence S. Cutler and Judy Goffman Cutler. His name and influence were most prolific; his private life was kep...
Post a Comment
Read more

You'll Get Over It

  What could possibly happen? Something tragic, I assume. I am sure you can imagine dozens of situations where this setting could be possible. Regret, revelation, anger, shock, despair, compassion, support, consolation, reassurance, forgiveness, unbelief, doubt, fear... All of these might apply to the people in this painting. And all these are actually expressed with hands. And there will be nothing of these when you think those hands away, I'm afraid.   This is another small one in my series Hands' Private Life. I painted it all prima with my limited palette of Burnt sienna, Ultramarine blue, Yellow ochre, Cadmium red and Titanium white. As reference, I used the photographs Paul and myself took of me and my hands, in four different settings.    While thinking about how to name this piece, with my music on, the Legacy by PSB suddenly started to playback. The lyrics were so true, my mood was quite down, and the title was chosen. (And first I was thinking of calli...
Post a Comment
Read more

Sunset

Summer Evening at Ameland Beach For quite some time, I had an idea to paint a female figure strolling with a dog on the beach during the golden hour. My inspiration was probably even more heightened during my last year's visit to the Skagens Museum , where I admired the seascapes by Peder Severin Krøyer and Michael Ancher in person. Well, all I needed was the right beach at the right time, along with some models. And counting my blessings, the southwest shore of our island, known for its glorious sunsets, is just around the corner. And I am especially grateful to our neighbour, Jennifer, and her graceful Weimaraner, Vito, for kindly agreeing to be my models. So we agreed to wait for a clear evening before heading out for a beach stroll. My models were doing a great job, and I could take plenty of photographs to use as references for my painting.  I had once created a small painting using a counterlight effect, and I liked the process. Now, I wanted to apply what I had learned to a...
Post a Comment
Read more