It's where I sometimes post the stories about my paintings.
Back to painting
I've tried to paint Chester again, combining a dog portrait with interior painting. It seemed like a perfect setting when I saw him routinely enjoying the sun rays while in our attic in Zwolle. It turned out to be difficult to choose the right values for the background; I still have a lot to learn about how to convey depth with dark objects in the foreground.
Is it a coincidence (I am wondering now) that I recently visited the Transverse Orientation by genius Dimitris Papaioannou where he deliberately opted for the lighter background of his masterpiece?
I used the limited palette again; red, yellow and blue plus burnt umber and white.
Thus it became Chester the Sun Worshiper, acrylic, canvas 24 x 30 cm. The finished painting can be found in my gallery.
A very special commission indeed When I posted this story in March I still did not quite believe this project could ever be realised. Today I am proud to tell and to show that the project was successfully completed, and that I was honoured to play a small part in it. But first things first. The most northern historical windmill in the Netherlands, called De Phenix, has been thoroughly restored and repurposed as a unique working both flour and oil mill with a large underground visiting area. Dozens of professionals and volunteers have been working hard for four years to make this happen. It became one of eight Amelander Musea . Being a volunteer, I was invited in February by the museum working group to collaborate in the design of the underground space of the mill. Beside the whole construction, I was particularly impressed by the very long concrete wall which I thought should stay just clear and unfurnished bearing only some decoration on it, possibly depicting a scenery traditi
Some flowers for my mother While visiting the well preserved estate and the house of Verwolde in the Achterhoek, among all those beautifully decorated eclectic interiors I somehow was touched by the view of a tiny room in the souterrain, probably a scullery. The day light gave the space lovely soft shadows and the setting was very natural in its simplicity. The nostalgic scene was thoroughly set by someone's artistic hands. It felt like the moment when the gardener had just left and their flower arrangements were just ready to be brought upstairs. So I took then some photographs and now I tried to paint this feeling in alla prima. I used the Mus panel and my limited palette of primary oil colours plus burnt umber and titanium white. I once made a painting of an lovely old scullery in Leeuwarden , called Downstairs. So, I will call this one the Downstairs 2. View the finished painting in my gallery . in progress
The summer art show proved to be successful Making a project low risk is always fun. No great expectations, no regrets when it's a failure. Safe. Still, there is always a tiny (or immense) hope of success. And this time success it was. I am very proud to involve the top artists Erwin Pattipeilohy and Peter Kiewied . I am happy with and grateful to all the visitors and the art collectors (10 art works were sold, and we've got some commissions as well). I am enormously thankful to everyone who helped promote our project! My very special appreciation goes to our patrons and friends of arts Eva and Riekus for providing that unique and beautiful space in their historic house. And above all, huge thanks and all my love to Paul, for believing, constant support and encouragement! Perhaps, we will repeat the show next year. You still can view some of the exhibitied works on our page . And check this video to get an impression.